Heilung presents a transcendental ritual of sound and vision at The Shrine in LA

In a mesmerizing fusion of ancient mysticism and avant-garde brilliance, Heilung transformed the iconic Shrine Auditorium & Expo Hall in Los Angeles into a sacred space, delivering a performance that transcended the boundaries of time and genre. The Danish, Norwegian, and German member experimental collective, known for their ritualistic approach to music, took the audience on a sonic journey that was as bewitching as it was profound. It was a ceremony for the eyes, the ears, and the soul; a cleansing few hours that gathered members of very diverse tribes together in sonic celebration.

From the moment the lights dimmed, and the ethereal chants began, the Shrine Auditorium became a portal to another realm.

Heilung’s ability to seamlessly blend primal sounds with modern production techniques was nothing short of alchemy. The stage, adorned with elaborate props and atmospheric lighting, resembled an ancient ceremonial site, setting the tone for an otherworldly experience.

The performance unfolded like a living, breathing entity, with the three core members—Maria Franz, Christopher Juul, and Kai Uwe Faust—leading a cadre of talented musicians and performers through a repertoire that defied easy classification. Traditional Norse, Viking, and Nordic influences melded with contemporary experimental elements, creating a sonic tapestry that felt simultaneously ancient and avant-garde.

Maria Franz’s vocals were nothing short of mesmerizing, effortlessly transitioning from haunting whispers to powerful, primal roars. Her presence, coupled with the percussive brilliance of the accompanying musicians, created an immersive atmosphere that resonated through every corner of the auditorium. The palpable energy between the performers and the audience intensified with each beat, forging a connection that went beyond the traditional concert experience. From the moment they took the stage and Maria carried out her lantern, the audience was transported back to the Iron Age and into a ritualistic forest in preparation for the night’s spiritual healing.

Heilung’s commitment to authenticity was evident in their use of ancient instruments and ritualistic elements, from bone rattles to throat singing. These traditional components seamlessly integrated with cutting-edge technology, producing a sonorous spectacle that was both visually and aurally stunning. It was beyond stunning; it was transfixing and hypnotic. The juxtaposition of ancient and modern elements highlighted the timelessness of their music, emphasizing that the human experience is, at its core, a continuous thread that weaves through the ages.

The Shrine, typically a venue for more conventional performances, became a sacred space where the audience was not just spectators but active participants in a communal rite. The energy in the room was palpable, and the collective immersion into Heilung’s sonic world transformed the evening into a shared journey of self-discovery and catharsis.

In an era dominated by pre-packaged pop acts and predictable performances, Heilung’s concert at the Shrine was a breath of fresh, incense-infused air. It was more than a show; it was a transcendent ritual that left the audience with a sense of awe and reverence. Heilung, with their unique blend of ancient and avant-garde musical elements, proved that there is still room for innovation and authenticity in the world of live performances. This was not just a concert; it was an immersive, transformative experience that left an indelible mark on all fortunate enough to be present. I cannot wait to see them again.

For the Uninitiated
Heilung, a Danish experimental collective formed in 2015, defies conventional musical categorization as they embark on a unique journey through time and sound. The group has coined the term “amplified history” to describe their distinctive sound, which serves as a visceral bridge connecting contemporary society with the ancient roots of humanity. Embracing traditional Norse, Viking, and Germanic influences, Heilung’s music incorporates authentic and archaic instrumentation such as rattles, ritual bells, bones, and throat singing. However, far from being primitive, their compositions take on a modern complexity with the subtle incorporation of electronic elements by producer Christopher Juul, resulting in a sonic experience that transcends time and resonates with a global audience.

Heilung’s rise to prominence has been swift and exceptional.

Following the self-release of their debut full-length album, ‘Ofnir,’ in 2015, the collective garnered attention with their remarkable live rituals. The turning point came in 2017 with a legendary performance at Castlefest, captured on film and viewed by millions worldwide. This momentum led to a record contract with Season of Mist, and subsequent releases like Futha in 2019 continued to captivate audiences, even reaching impressive positions on Billboard charts. Heilung’s success extends beyond music venues, with their tracks featured in popular TV series, video games, and films, solidifying their status as a cultural phenomenon that transcends the boundaries of musical genres.

Share this article

or